The Lack of Exposition Makes 'Fast Color' a Compelling Narrative on Repressed Personalities
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents

Crash Kids - trust no one Mike Camber is a good kid who lives with his uncle in Germany. But things go very bad for him when his buddy Werner offers to take him for a ride in his new car... which is stolen. Werner crashes the car and flees, leaving Mike behind, trapped in the car. Mike is arrested by the police and sent to a juvenile detention center. While imprisoned, Mike meets Miu, a beautiful young woman being held for crimes she won't talk about. Together, they inadvertently discover that the warden is running a drug ring out of the detention center...and now the warden wants them dead because of what they know. Mike and Miu escape, only to learn that the local police, and even Mike's buddy Werner, are involved with drug ring. On the run, with no where to go, Mike turns to the only person he feels he can trust, a mysterious stranger he hardly knows: his father.
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
The second film takes us on Peter's journey to be understood.