Kamilah Rae Lewis Interview on her Basketball-Playing Father Raymond Lewis
Spotlighting the legacy of the legendary Raymond Lewis through the love of a devoted daughter.

In the heart of southern France there is a fog-prone area where, according to legend, a bloodthirsty creature wreaked havoc 250 years ago. A rumor is spreading again in this legendary place, as eyewitnesses report an animal with large paws and a long tail that crosses roads in a single leap - powerful enough to tear down a horse and leave it mutilated in the pasture. Is the Beast of Gévaudan back? The animal photographer Bruno Loisel has a supposedly more rational explanation. The animal that fits the descriptions could be a cougar, but this species of big cat is only native to America. In order to learn the proper techniques for tracking down the puma, he travels to Canada, where he accompanies a team of researchers dedicated to studying the shy, almost invisible predator. Will Bruno be able to use his findings to solve the mystery of the new beast of Gévaudan?
Spotlighting the legacy of the legendary Raymond Lewis through the love of a devoted daughter.
The new biopic 'Elvis' highlights the beginning and end of the career of this rock and roll legend. The audience is taken on this journey knowing the tragic ending but not so much about what led him there. A large topic of discussion is the influences on Elvis that made him who he was as a singer, musician, and performer, which were blues, gospel, and country. Many of the songs that rose him to fame were songs by Black artists he heard growing up in primarily Black settings.
Korean culture shines in this Canadian export.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
'Ganja & Hess' is a 1973 experimental horror film, written and directed by the visionary auteur Bill Gunn. It was meant to be a straightforward blaxploitation film – but director Gunn had grander ambitions.