Early Feminism Shown in 'Footlight Parade' (1933)
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.

Southern California's Hotel Coronado caters to and is frequented by members of the social upper-crust. Although she lives on the wrong side of the San Diego track, in a tent-city with her father. Otto, and ditzy sister, Violet, June Wray is a singer with the Eddy Duchin Orchestra appearing to the hotel. Johnny Marvin, an aspiring songwriter and the son of a wealthy automobile manufacturer, is staying at the hotel and, from they moment June and Johnny meet, they fall instantly in love. Trouble arises when Johnny's father objects to the romance, and complications and help arrive in the form of two Marine-hating sailors,Chuck Hornbostel and "Pinky" Falls, when Chuck marries June's ditzy sister.
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
The justice system in the United States of America is supposed to operate as you are deemed innocent until proven guilty. But "When They See Us" shows what happens for Black people is they are deemed guilty until proven innocent.
Starring Jake Gyllenhall and Yahya Abdul-Mateen II, 'Ambulance' is a film not only about a bank heist gone wrong, but also about brotherhood.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.