Corn Chips (1951)

What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.

Gritty and bleak are the best words to describe this film. There’s nothing happy about it.

This is a Spanish-speaking short film that contains English subtitles. The short film is produced in the United States.

‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.