Director-choreographer Susan Stroman and librettist John Weidman construct an evening of three dance plays. The first deals with a "swinger" couple and their servant, whose sexual games suddenly change; the second finds an unhappy 1950s wife imagining herself the belle of a restaurant she attends with her abusive husband; and the final piece allows a suicidal executive to find life again chasing after a mysterious girl in a dance bar.
Susan Stroman
Director
Alan Campbell
Michael Wiley
Colleen Dunn
Girl in Yellow Dress
Charlotte d'Amboise
Wife
Danny Mastrogiorgio
Husband/Bartender
Seán Martin Hingston
Frenchman
Scott Taylor
Frenchman
Joanne Manning
A Girl on a Swing
David McGillivray
Headwaiter
Tome Cousin
Restaurant Patron/Clubgoer
Pascale Faye
Photographer/Clubgoer
Nina Goldman
Restaurant Patron/Clubgoer
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
This coming-of-age movie based on the 1970 book by Judy Blume gives viewers a scope on female topics in the quest for a religious identity.
The external threat invaded the domestic environment at the most valuable moment: grieving.
The tale of the Snyder Cut will undoubtedly go down as one of the most fascinating stories in modern film history. It is one of the rare times that movie fans were able to rally together and champion an issue so much so that it actually came to fruition.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.