'Luther: The Fallen Sun', Idris Elba’s Netflix Vehicle, Fails to Make the Point
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

In the last years of the Ming Dynasty, Prince Fu and his son Lou-yang ran wild terrorizing the vassal state of Henan. Their only block was the 500 monk-soldiers protecting the Shaolin Temple. Under the pretense of an order from the Emperor, Prince Fu sent all 500 monk-soldiers away to fight bandits, leaving Shaolin Temple unprotected. Guang Ci had been training some of the young monks in martial arts. With the 500 monk-soldiers gone, Prince Fu planned his ambush and his army began surrounding the Shaolin Temple. Aware of Prince Fu's evil intentions, the young monks defend the temple with Tong Deng leading. Only his "Tong Zi Gong" can overwhelm Prince Fu's "Light Kicking" in this struggle for consummate power. Superb Wu Shu fights in the tradition of Jet Li's, Shaolin temple.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.
Renee Zellweger shines in this Judy Garland biopic, which highlights the pain and loneliness that so many famous women endure.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?