'Slanted': If You Can't Beat Them, Be Them
A dynamic journey of self-acceptance and identity.

Dan Bowers, embittered and disillusioned by an unhappy marriage, seeks solitude in the Maine woods, with a lame dog as his only companion. One day he meets Violet Manners who, with her invalid mother Marion, is visiting in a nearby village. Marion is haunted by memories of the past, and one day when Violet takes Dan to meet her mother, she discovers that he is the husband who deserted her years ago. The shock causes Marion's death, but before she dies, she justifies her past behavior toward Dan. -From the AFI Catalog of Feature FIlms.
A dynamic journey of self-acceptance and identity.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
Amanda Riley gets the opportunity to travel to Vietnam for the experience of a lifetime.