A young, queer Muslim woman is grappling with the decision to come out to her devout mother, and ends up marrying her boyfriend to evade silent disapproval. This is a mother-daughter love story that reveals the often unseen intricacies of coming out and of seeking common ground and family.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. 'The Little Mermaid" film can be interpreted as a transgender story.
