Everyone’s Welcome in IT: Welcome to Derry
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.

The universe of comic books is a worldwide pop mythology, a Pantheon in cheap newsprint and saturated colors. For almost 100 years comic books have provided fantasy, escape, and compensation for adolescents who often feel powerless and misunderstood in their daily lives. Fantasies of power are inevitably violent, but the violence in comic books has no consequences. After all, it's just the stroke of a pen... But what happens when the comic book meets real war? In this age of hundreds of television stations, 24-hour news, worldwide instantaneous satellite transmission and thousands of web sites updated hourly, the lowly comic book has become a documentary medium, providing a real understanding of the human dimensions of war, genocide and revolution. It's a new journalistic form. Comic Books Go To War explores the journalistic, aesthetic and political implications of reporting the most violent and terrible of human experiences through "comix."
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.
When the retelling of the Cinderella fairy tale and a holiday spirit come together, viewers learn about class issues as well as perseverance despite setbacks.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
'Don't Make Me Go' is what you would expect, Wally and her father, Max, clash tremendously and don't understand each other. Although, it's very heartwarming.