“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

This film is the sequel to the film Coco Hotahota Te Maeva. It chronicles the exchanges between Coco Hotahota and the San Francisco troupe Hui Tarava, from the last Farereiraa organized in Tahiti to the first Farereiraa in San Francisco. A film dedicated to the memory of Coco Hotahota, the major choreographer of Tahitian dance.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
The live-action remake brings adventure and shows viewers why representation is important in a Disney Princess movie.
Wild Child tells the story of a wealthy, spoiled teenage girl named Poppy Moore who lives in Malibu, California, who attends a boarding school in England. This film shows us how Poppy is first labeled as a fish out of water compared to her boarding school classmates, as she is a wild child, but eventually earns her roommates' friendships and respect.
The film blends reality and the supernatural world together, leaving the viewer unsure of what’s real and what’s merely a figment of Michael’s agitated imagination.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
A reboot series based on the popular original Nick teen sitcom of the same name.