Who are the people who clean the roads of the world? Why are the majority of them women and immigrants? The well-traveled show “Clean City” of the Onassis Foundation Stegi becomes a hybrid film. Four separate directors follow the tour of the show to four cities - Skopje, Sarajevo, Montpellier, Istanbul. Immigrant cleaners, stars of the show but also of their real lives, talk about their experiences, touch on the subject of racism in terms of what is “pure”, the danger of fascism, female immigration and sexual abuse. An anthology film somewhere between documentary and fiction, having as its starting point the filmed theatre play by Anestis Azas and Prodromos Tsinikoris.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
Hulu's 'Crush' leaves you giddy, light, hopeful, and, yes, all crushed out on the possibility of what? You got it, your next crush.
Weird has a name and it's, Weird Al. 'Weird: The Al Yankovic Story' makes you want to "Eat it" then "Beat it".
I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
