Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Morgan Spurlock, Joe Morley and Heather Winters -- the same group of filmmakers that exposed the greasy truth about fast-food "supersizing" -- team with director Sara Sackner for this eye-opening documentary that looks under the hood of America's public school curriculum. Under the microscope this time is arts education and its pitiable lack of funding, as well as the vital role a teacher can play in the lives of struggling students.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
This horror, action, and fantasy movie released on Disney+ has a symbolic aspect.
When a powerful church leader is found dead, Benoit Blanc enters a tight-knit community where everyone has secrets, but not everyone is fully developed.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
An action film led by two queens, fighting for what they believe in through power and pain.