A devout Muslim who writes, composes, and even records hymns praising the Prophet, Muhammad Rahat Khawaja is a respected elderly man who works in real estate and takes care of his bedridden wife. One day, he attends the wedding of a friend's son, where he inadvertently shows off a dance in front of his friends and family. His dance gets recorded and then uploaded to all social media platforms, which then also gets broadcasted on television. And chaos begins to ensue in his quiet life. Other than his wife, no one else in the world understands Rahat's circumstances. His daughters and neighbors criticize him, his friends turn their backs on him
Sinister and suffocating, 2022's The Black Phone delivered more than just scares - it brought atmosphere, depth, and a villain audiences won't soon forget.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
David Fincher is back in his playpen, with a dark and chilling thriller.
It’s no wonder Peele won an academy Award for Best Original Screenplay. His script is layered with perspective and subtlety. Through a terrific vision, Peele creates the gift that keeps on giving. The clues and symbolic representations are aplenty, and as each viewing passes, you are destined to find something new. That’s a mark of great cinema.
When the world lost Chadwick Boseman on August 28, 2020, we all saw the impact of representation in film. Boseman was not only a Black superhero leading a Black cast in one of the most successful films in history; but his successes paved the way for more, long-overdue diversity in Hollywood.
I highly recommend Kill Bill: Volume 2. In classic Tarantino fashion, specific sections of the film are a tad too long, but overall, it’s a wonderful piece of escapist fiction.
