A woman leaves her son on his 5th birthday and goes out to look for what she doesn't have: a job. What could be just another party becomes complicated when a shrewd grandmother suspects that the child does not belong to her grandson's group of classmates.
This surprisingly clever romantic comedy perfectly balances genuine heart with wild reality television chaos. It is an uplifting and funny reminder that second chances and real community can show up exactly when you stop looking for them.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
"Idina Menzel: Which Way to the Stage?" shows viewers how the star became who she is today.
