Taking a Break from the News by Watching the News- but does “Last Week Tonight” Count?
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.

Personalised instruments are used to transform loops of pure black and white frames into an immersive riot of perceptual phenomenon in colour, motion and sound. Bruce will employ four adapted 16mm projectors, the motors modified, brass grids retro-fitted between lens and gate. A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors. You’re met with a white strobing circle pulsing on screen and slowly transformed as additional, overlapping projectors create strange halo’s and spheres, odd 3D expansions and contractions. As more projectors are added the image is shredded under a beating grid, color and form thrumming in front of your eyes until, as the last projector dims and you’re left in the dark, crazy blue tendrils follow your gaze, after-images burned on the retina like a delicate coda to Bruce’s performances. -Kill Your Timid Notion festival
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
With so many binge-worthy TV shows floating around and new ones constantly being released, I have compiled a list of some more recent TV shows that rank high on the diversity scale for both the cast and crew.
Let it Snow in a nutshell, is a warmhearted coming of age teen Christmas movie.
In the spirit of Halloween, here's a list of body horror films which can be interpreted as trans allegories.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.