Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.


Child of Kamiari Month is a 2021 Netflix anime movie that is about a young Japanese girl, Kanna (Aju Makita). After losing her mother, she journeys across Japan to the sacred land of Izumo. This film has a strong representative cast consisting of Japanese actors.
The film opens with a scene of Kanna chasing her mother through a forest. The background music is a soft piano, slowly fading away as Kanna calls after her mother, "Mom, don't leave me!" The scene changes to white and fades into a classroom, indicating to viewers that this is all a dream.
The class lecture about the gods of Izumo foreshadows the main plot. The bunnies in the pen symbolize companionship; Kanna talks to her pet bunny when she is alone. When Kanna arrives home, she looks at the framed photograph of her mother; she feels the emptiness inside her because it's been one year since her mother passed away. One scene where Kanna is crying for her mother in the rain emphasizes this emotion. Kanna is determined to find out why her mom disappeared suddenly.
Child of Kamiari Month combines realistic elements and fantasy elements. The setting takes place in Japan and plays an important role in Kanna's quest. The transition from reality to fantasy is indicated by the frozen time-and-space elements triggered by a magical green stone on Kanna's bracelet. The bubbles are frozen in the air, something only Kanna notices. The amulet symbolizes power and control over time and space.
Kanna is surprised to see that the pet bunny she encountered in the bunny pen can talk. The bunny happens to be an assistant to the gods of Izumo and tells Kanna that her mom was also part of the gods. Her mother was also a runner. In fact, the movie's title, Child of Kamiari Month, gives viewers a clue about Kanna's identity.
Kanna's tasks on her quest are shown through animated 2D drawings in colored pencils. As Kanna goes on her quest across Japan, she is slowly following in her mother's footsteps by running on her own two feet. She eventually becomes a stronger runner. She learns that magic is the power of the gods. She meets the gods, who are beings in the form of magical animals.
There are flashback scenes where Kanna is with her mother; this is indicated by the brightness and rainbow colors on the screen. The flashback switches to a black-and-white scene where Kanna sees her mother on her deathbed.

A year after losing her mother, a young girl learns that she must journey across Japan to the annual gathering of gods in the sacred land of Izumo.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.