“Tony” is Yet Another Good Biopic
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.

Chiikawa and friends set off on a whimsical summer adventure to a mysterious island said to hide a long-lost mermaid secret. What starts as a fun getaway quickly turns into a heartwarming journey filled with surprises, gentle thrills, and adorable chaos. With sparkling seas, strange legends, and unforgettable encounters, the trio learns about courage, friendship, and the magic hidden in small moments.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Everyone needs a BFF and a "wing person" like Yumi (Chloris Li). Li brings the "straight person" persona, literally and figuratively balancing James Aaron Oh's perfectly timed comedic delivery as the unlucky-in-love.
Two Korean sisters must save their family after a ghost tears the family apart.
An incredible documentary showcasing the difficulties of living in a crumbling Rust Belt city.
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.