What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

John Dowling, a greedy factory owner, cuts his employees' pay while raising their food prices at the company store. The employees strike but to no avail. Mary Garvin visits Dowling to plead the laborers' cause, but because her mother had once refused his marriage proposal, he attacks Mary out of revenge. In the struggle, Dowling is shot, and Mary is tried and convicted of murder. Before the execution, foreman "Bull" Thompson boasts that his bullet killed Dowling during Mary and the factory owner's struggle, and Dowling's son Chester, who has attempted to introduce reforms into the factory, races to the governor's train to secure a pardon for Mary. After Mary's release, she and Chester are married.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.
The new biopic 'Elvis' highlights the beginning and end of the career of this rock and roll legend. The audience is taken on this journey knowing the tragic ending but not so much about what led him there. A large topic of discussion is the influences on Elvis that made him who he was as a singer, musician, and performer, which were blues, gospel, and country. Many of the songs that rose him to fame were songs by Black artists he heard growing up in primarily Black settings.