'Indiana Jones and the Dial of Destiny' (2023)
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.

Thirty year old Alexander is a budding film-maker. One night he wakes and is stunned to find he is being filmed by the very same camera that enables us to see his every move. In bed beside him, his girl-friend, Emeline, appears blissfully unaware of what is happening to him. He begins to realise that he is trapped inside a film, a delusion that seems to embody his obsession with film-making. From now on, he battles, body and soul, to set himself free.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.
This indie short documentary archived the story of a staple rock band as well as an essential part of local history.
At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.