Everything The Critics Got Wrong About ‘Pinocchio’
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.

Ed Franklin, a young man pursuing his dreams in Hollywood, returns home to Fort Worth, Texas at Christmas time to find his family in turmoil. His parents' marriage is crumbling and his relationship with his two brothers is rocky at best. The discovery that his beloved Granny has been placed in a nursing home after a stroke left her mentally disabled pushes Ed over the edge. He decides to come to his unhappy Granny's rescue, abducting her from the home against his family's orders. Ed's father Rex and brothers, Steve and Davy, set out after Ed and Granny, and a cross-country pursuit begins.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
A historic documentary about the iconic Disney character gives viewers a glimpse into animation.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.