Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

Carer follows Mitch, a kind but wayward disability support worker, and Connor, a funny and sensitive young man he works with. Mitch’s professionalism is tested by his erratic nature and ongoing struggles with a mental health condition. While Connor is bright, confident and well liked, he has anxiety about his place in the world as a person living with Down syndrome. The film explores the nuances of their relationship, which is at once transactional and yet a genuine friendship.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
Han's turn to villainy in 'Frozen' was foreshadowed cleverly in the story.
Richard speaks with Dia Frampton about some of her experiences with acting and music.