Kosmet in the fall of 1944. The Partisans have successfully liberated the town of Prizren from occupying Germans,and Ramiz Leshi, a brave and cunning KNOJ captain, has to liquidate the remainder of the local Quislings, called Balists. They are led by a ruthless, German-trained soldier Kosta and by Ahmet, the brother of the famous Captain. As Ramiz is trying to get Ahmet out of the gang and hunt down the rest of the Balists, 2 new girls arrive in town. One of them is Lola, a bar singer with a questionable agenda, and the other is Vida, a withdrawn music teacher from Belgrade.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.
The Franke kids seemingly lived a normal life, until their mom met the infamous Jodi Hilderbrandt.
