Three boys, they all committed murder. After discovering their haunting faces and disturbing stories in a banned prison documentary from 1984, the filmmaker goes out to find them and discovers untold secrets and a Hungary he has never known.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
A story of a magical dragon brings great representation for Chinese culture.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
