Disney's ‘From Our Family to Yours’ Passes Down the Magic of the Holidays
Disney’s first Christmas advert, ‘From Our Family to Yours’ teaches us the magic of the holidays.

Trabants have traveled the world, now frogs are swimming! Traveler Dan Přibáň returns to cinemas after six years – this time in an amphibious vehicle LuAZ 967 nicknamed the yellow frog, which not only drives, but also swims! Together with him, a Czech-Slovak group of crazy adventurers, including the indestructible Marek Slobodník on a floating motorcycle tricycle, set off on a wild journey. The goal? 18,000 kilometers from Prague to Ulaanbaatar. The means? Used, dangerous and funny machines. The challenges? The pitfalls of exotic countries, bizarre regimes, disappearing rivers, blooming deserts and endless plains where there are no roads – only directions. And Mongolia – the land of blue skies. The least populated country in the world. A country that breaks hearts and fulfills dreams. In the finale, under the dunes of the Gobi Desert, the moved guys discover that it was really worth it and that miracles do happen... But sometimes completely differently than they expected.
Disney’s first Christmas advert, ‘From Our Family to Yours’ teaches us the magic of the holidays.
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
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