Vadeesha Devaminda Wickramanayaka is a highly creative and sensitive young music student in his school. A special love letter that he finds accidentally, written by Punya, a women, more mature than him in both age and life, motivates him for some soul searching. He is also haunted by guilt, because he fails to deliver the letter, to who it belongs. His relentless efforts to return the letter to the women to her lover, fail. Sympathy mixed with emotions of love he feels towards this women, leads to him creating a song that captures a cathartic experience. This popular creation and many other songs that he gives birth to, for a period of 20 years, makes him a prominent musician in the country. But however, his memories and nostalgia towards Punya make him a failure in his married life. Although he regains his life by returning the letter to Punya after 20 years by chance, she is now left with a feeling of void her life.
Jayantha Chandrasiri
Director
Uddika Premarathna
Vadisha Wikramanayaka
Yashoda Wimaladharma
Punya Dissanayake
Pubudu Chathuranga
Vadisha's Elder Brother
Wilson Gunaratne
Danny
Buddhadasa Vithanarachchi
Vadisha's Father
Roger Seneviratne
Revatha Dissanayake
Chathurika Peiris
Vadisha's Wife
Damitha Abeyratne
Punya's Roommate
Roshan Pilapitiya
Punya's Husband
Rebeka Nirmali
Soorya Dayaruwan
Young Vadisha
I was able to sit down and talk with singer/songwriter Carson Lueders about his career in the music industry. We talked influences from country music to Pop, and his working relationship with Quavo from the The Migos.
The film's Incluvie rating is off the charts. It features Black, Muslim, queer, trans humans whose moms hold them up, fight for them, and love them for who they are...making anything possible.
This holiday movie serves as the prequel to the TV series The Really Loud House.
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.