Furry as fuck and beefy as hell, tattooed Atlas Grant handles meat at the grill when bearded daddy Rusty McMann comes home from work. The two make out before Atlas drools and slobbers all over his daddy's pierced cock. Then Rusty takes control of "boy," rimming his ass and stretching him open with a good raw fuck. Now, Atlas loves getting fucked but he's got one of those holes that slams shut. Each time he takes dick it's like he were getting fucked for the first time and it's no different with Rusty. But once he's opened up, Atlas goes to town, bouncing up and down on Rusty's daddy cock with a fiery passion as he bareback fucks himself out on the patio, the meat on the grill all but forgotten.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
