Swept Away by You, Me, and Tuscany
A Black woman centered in a box office rom-com with a happy ending and no struggle love.

Documentary made as part of the exhibition “Materiais de Construção” (FCG, 1998). The exhibition's curator, Jorge Molder, and the participating artists, Markus Raetz and Pieter Laurens Mol, are interviewed. Topics such as the artists' biography and the works presented are covered. Includes images from the exhibition (CAM Gallery and Hall).
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.
Audition should be on everyone's list of Greatest Horror Film. So I urge you to give it a watch. Maybe watch the last twenty minutes with your hands in front of your eyes.
For one widowed father and his five kids, an extraordinary gift will change their lives forever.