“Host:” Quarantine Horror for the Online Generation
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.

Kau Yuk-kuen is delivered to safety by the mythical condor with one of the tripods while her foster father, Ku, continues the fight until his last breath. The Three Evils brutally beat and cripple Auyeung to intercept his scheme to appropriate the tripods but fail to prevent him from shoving two of them down into the deep valleys in frustration. Finding themselves no match for the Three Devils, the fellowship seek help from Lau Piu-piu. But the master declines out of a grudge against Suen Bik-ling with whom she was locked in a bitter love triangle which resulted in disfigurement of her face. Undaunted, they embark on a perilous journey in quest of the tongue of a mythical dragon and eyes of a crimson python for her cure.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
World-famous drag queen Trixie Mattel shares a year of her life with the world in this vulnerable and uplifting documentary.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
This movie is based on the LEGO Disney Princess building set.
In Deaf, the Spanish director Eva Libertad explores pregnancy and motherhood from the perspective of a deaf woman. Her movie examines how the world imposes the notion of disability on her main character while she actually does not feel disabled herself.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.