This Year, 'Mickey Saves Christmas' for the Kids
An animated short film that never gets old, especially with iconic characters from the Disney series.

Ustaz (Cik Man), Tommy (Bell Ngasri) and Razak (Hafidz Roshdi) are three unmarried men living in a rented house owned by Malik (Ebby Yus) in Kuala Lumpur. Each has a different background and tries to adapt to one another. Nevertheless, they remain loyal to living together and are good friends. Ustaz is a friendly person, easily entertained and well-liked by many. He works as a teacher who teaches Islamic Education at a secondary school. Ustaz values religious knowledge and constantly corrects Tommy and Razak's mistakes by giving religious reminders, hadith translations and reciting and teaching tajweed suddenly and sometimes causing them stress. Tommy is a straightforward, scatterbrained person who likes to talk nonsense. He works as a technician but is not skilled at doing electrical wiring work. He is also often scolded because he likes to make a mess. Tommy has high self-confidence and always wants to help even though situations often turn out to be more troublesome.
An animated short film that never gets old, especially with iconic characters from the Disney series.
This surprisingly clever romantic comedy perfectly balances genuine heart with wild reality television chaos. It is an uplifting and funny reminder that second chances and real community can show up exactly when you stop looking for them.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Explore the tension between director intention and viewer interpretation in this review of the excellent sci-fi horror of 'No One Will Save You.'
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.