Weapons Shows Intriguing Human Relationships in Mundane American Town Life
For those tranquil houses with white fences, what is happening behind every closed door?

Ustaz (Cik Man), Tommy (Bell Ngasri) and Razak (Hafidz Roshdi) are three unmarried men living in a rented house owned by Malik (Ebby Yus) in Kuala Lumpur. Each has a different background and tries to adapt to one another. Nevertheless, they remain loyal to living together and are good friends. Ustaz is a friendly person, easily entertained and well-liked by many. He works as a teacher who teaches Islamic Education at a secondary school. Ustaz values religious knowledge and constantly corrects Tommy and Razak's mistakes by giving religious reminders, hadith translations and reciting and teaching tajweed suddenly and sometimes causing them stress. Tommy is a straightforward, scatterbrained person who likes to talk nonsense. He works as a technician but is not skilled at doing electrical wiring work. He is also often scolded because he likes to make a mess. Tommy has high self-confidence and always wants to help even though situations often turn out to be more troublesome.
For those tranquil houses with white fences, what is happening behind every closed door?
When it comes down to it, The English explores what happens when power is unchecked and how those who seem powerless, have more strength than most through their convictions for justice.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
Presenting a bold and unapologetic narrative focused on strong Muslim female characters, the show beautifully incorporates punk rock as a feminist movement in their lives.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
What happens to an inseparable bond when love for competing morphs into competing for love?