Twin Peaks: Why LGBTQ Ally Depiction is Crucial
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.

Overweight shoeshiner Brother Wang (Wang Ge) and skinny rickshaw driver Brother Liu (Liu Ge) are best friends and roommates. One day, they come across a fortune teller who offers a peculiar forecast: that Wang will become very wealthy in three days but that Liu will die in 44 days. When Wang strikes gold by winning the lottery, just as predicted, the celebratory mood is soon eclipsed by the reminder that Liu’s death also has been forecast. With his newfound wealth, Wang decides to reward his dying buddy with the trip of a lifetime. Carrying around a suitcase full of cash, the working-class twosome embark on a road trip around the beautiful island of Taiwan. Enjoying a lavish lifestyle as inexperienced big spenders, they find themselves in unexpected situations and amusing predicaments, one after another.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
Sing 2 the beat in this jukebox sequel featuring anthropomorphic animals with musical talent.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.