It intermittently captures a delicate moment of emotional breakdown. Absconding soldiers with an unfair story to tell, and a woman helping them, all come to a point at the end of the film.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
The movie is centered around the title character who goes on a Christmas adventure.
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
