Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A lawman sets out to disrupt the operations of a crooked town boss.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Four documentaries, now streaming on the Criterion Channel, embody the adopted slogan of the current protest movement: Woman, Life, Freedom
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.