"Elio" and What Could Have Been
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.

Like Shakespeare’s Macbeth, Boris Godunov is capable of murder in pursuit of power. When Boris’s political opponents substitute a pretend descendant of the previous tsar, the so-called Pretender, to stage a coup d’état, Godunov, tormented by remorse, is certain that it is the reincarnation of his victim who, like an angel of vengeance, has come to take his life. Based on a play by Aleksandr Pushkin about the real-life Boris Godunov, the opera traces the life of the Russian Regent during the Time of Troubles in the late 16th century, from his coronation to his death. This sombre tragedy is about the cries of a nation, the scheming of those in power and the anguish of Boris himself. The music is richly modern, and filled with innovative harmonies based on Russian folk songs and traditional Russian Orthodox church music, and is considered the pinnacle of Russian opera.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
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The Magician's Elephant has a strong multicultural cast and a heartwarming story about bringing two long-lost siblings back together
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