Surface Level "People We Meet on Vacation" is Still a Fun Time
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.

Czechoslovakia, 1952. For some, life under the post-war Stalinist regime is hardly worth living and although the escape route to the West is almost suicide, the rewards - prosperity, political freedom, even luxury - make it a risk worth taking.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
A family adventure film that features Hawaiian culture with a representative director and a diverse cast.
Lin-Manuel Miranda’s 'Vivo' is a children's animated musical rich in Hispanic culture! The story follows a kinkajou as he delivers a love song for a friend.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!