This film is my response to the epic tradition, from Homer to the Mahabharata–V. G. “This film reflects everything (Grauer) has been involved with in his previous films and he uses this knowledge in a highly personal and non-mechanical way. No matter how well previous type of 'flicker' film is done, they essentially remain machine-like and impersonal. In BOOK, Grauer extends his vision to encompass much more.... The totality of the experience is a kind of wrap-around poem... None of the parts exist by themselves, everything is interwoven to produce a strong and hypnotic unity."– Bob Cowan, in Take One
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
A 2020 Japanese anime movie that focuses on a high school girl who is desperately in love with her secret crush.
Have you ever wondered what it's like to work at the greatest arts and entertainment company? This documentary film gives us a look at the people who make the magic.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.
