
Bona, a middle-class student, becomes infatuated with a struggling actor, Gardo, and drops out of school to live with him. She becomes his unpaid maid, performing chores and enduring his relationships with other women, in the hopes of reciprocation.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7