The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Trovador seeks to write an immortal bolero, but the inspiration does not reach him. That's why the Devil appears to him and decides to make a pact: his desired bolero in exchange for his soul. Trovador accepts, and in his way will cross the Gitana, a woman with whom he will begin a passionate romance that perhaps serves him to write his song.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
This comedy brings a big surprise to Josh and his family when they move to New York City and struggle to adapt to their new friend.
The movie is centered around the title character who goes on a Christmas adventure.
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.