9 More Women in Comedy to Watch This Women’s History Month
This list was made with the intention of celebrating the craft. I love seeing more women of colour on this list than before and more newcomers on the scene as well!

Paris 1900. Sharing a house in the Bohemian District are Roberto, a fledgling Musician, who is composing an Opera with his friend the poet Victor Duval; and the beautiful Cossette, daughter of a retired tenor, who goes up and down the stairs, taking advantage of Roberto's music to train her voice. The young bohemian musician does not know Cosette, but hears her sing daily. Instead, she's in love with Roberto and follows his steps as a composer.
This list was made with the intention of celebrating the craft. I love seeing more women of colour on this list than before and more newcomers on the scene as well!
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets