Girls Will Be Girls In "Whale Rider"
People are so much deeper and far more extraordinary than what gender they were assigned at birth.

In order to win back his girlfriend, Mike Shayne promises to give up his detective practice and get a job as riveter in an aircraft plant. He quickly finds himself investigating the theft of industrial diamonds from the plant's safe and, utilizing a variety of false identities, traces them first to a dress factory and later to a Hawaii-bound ocean liner. Escaping several attempts on his life, he is able to uncover a Nazi smuggling ring, but the location of the missing diamonds continues to elude him.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
John Walker is named the new Captain America and The Flagsmashers run amok.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.