Blade of a Father, Soul of a Sword 

This Disney+ movie is about a 12-year-old math genius who wants to become a rapper.

Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.

With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.

Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.