Blackout (2026)

Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.

Dora is the superhero we didn't know we needed.

Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.

With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture. 

A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.

Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.