Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Black Republic poster

Black Republic 

Three pickpockets, led by So-hoon, make a living from petty theft and loafing around the streets. One day, So-hoon runs into Neung-han, an old college friend who, upon learning of the group's precarious situation, decides to help them. However, the three young men come up with a plan to play a prank on him.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Three pickpockets, led by So-hoon, make a living from petty theft and loafing around the streets. One day, So-hoon runs into Neung-han, an old college friend who, upon learning of the group's precarious situation, decides to help them. However, the three young men come up with a plan to play a prank on him.

Rating:
Genre:
Directed By:Park Kwang-su
Written By:
In Theaters:
Box Office:

Runtime:18 minutes
Studio:Seoul National University Yallasung Film Research Group

Articles You May Like


"Possession Of Mara" (2025) Indie Film Review-A genre-bending, abuse-addressing effort that defies mainstream normalcy

Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.

Kirk Fernwood

"Him" (2025) Film Review-The realities of making the grade in professional sports gets a cultism-driven, horror film makeover

"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.

Kirk Fernwood