“Keanu” Paved the Way for “Get Out”
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."

They say that the blues was born from suffering and from a desperate desire to overcome it, through music, through constant aimless travels, drowning in alcohol. If we talk about blues as all this, then Vili Fajdiga's life was a typical blues one. At that time (1920), in Zasavje and Trbovlje, similar social conditions were evidently established as in the American Mississippi Delta, necessary for the birth of blues music. This is a story about a difficult and varied life, creativity, passion, hope, about falls and not always ups and downs, about love for a woman, for music, for life.
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."
Cartoon Saloon is an animation studio that should be appreciated more. They tell unique stories with unique animation, proving that 2D animation is still alive and well.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.