Truck-driver Brewster takes over his missing brother's delivery of a load of coffins to a funeral home. He picks up hitchhiking gay couple Cary and Vogel whose relationship is in trouble to help him stay awake but when his GPS leads them into a deserted junkyard, his truck breaks down, stranding them. Night falls, and the coffins reveal blood-thirty vampires. Now the mismatched trio must barricade themselves in the cab of the truck and try to survive until dawn...
In 1983, V first debuted as a mini-series. It chronicled the story of alien visitors who arrive on Earth in motherships; they look like us, they talk like us, and they say they are of peace
If you mix religious rituals with dark mythology, the result will be effective, and the story powerful in 90% of the cases. That is exactly what happens at the beginning of The Vigil.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
I was able to sit down and talk with singer/songwriter Carson Lueders about his career in the music industry. We talked influences from country music to Pop, and his working relationship with Quavo from the The Migos.
The power of a talented female director like Patty Jenkins and an overall diverse cast is what makes this film worth watching for me.
The second film takes us on Peter's journey to be understood.
