Black Swan and its dark feminine energy
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.

When he learns of his mother’s death, Thomas returns to Brazil with Beni, his partner, and is told he now owns a country house that used to belong to a grandmother he never met. Curious to connect with his family history, they visit the house and Thomas is welcomed by two aunts that treat him like a long-lost child. As Thomas becomes increasingly enchanted with the place, Beni begins to suspect that something lurks beneath the façade of a quiet country life.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.