Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Birds Without a Nest poster

Birds Without a Nest 

An orphan is sent to a reformatory where the inmates receive an extremely repressive education. While visiting the place, a teacher hears the orphan's indignant complaints about the mistreatment. Impressed, he adopts this 16-year-old girl, who at 24 graduated in Social Sciences. Now she has a name: Vitória dos Santos, and her concern is to help the girls who, like her, suffer in the city's asylums.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


An orphan is sent to a reformatory where the inmates receive an extremely repressive education. While visiting the place, a teacher hears the orphan's indignant complaints about the mistreatment. Impressed, he adopts this 16-year-old girl, who at 24 graduated in Social Sciences. Now she has a name: Vitória dos Santos, and her concern is to help the girls who, like her, suffer in the city's asylums.

Rating:
Genre:Drama
Directed By:Raul Roulien
Written By:Raul Roulien
In Theaters:
Box Office:

Runtime:98 minutes
Studio:D.F.B. Distribuidora de Filmes Brasileiros

Articles You May Like


Short Film Review "Jamarcus Rose & Da 5 Bullet Holes" - Chasing ambitions, accepting guidance, finding brotherhood, and realizing the fragility of life

Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.

Kirk Fernwood

"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger