'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

Billy Joel Live At Wembley Arena, London 06-06-1984. This is part of An Innocent Man Tour. Set List: Prelude/Angry Young Man, My Life, Piano Man, Don't Ask Me Why, Allenton, Goodnight Saigon, Pressure, Leave A Tender Moment Alone, An Innocent Man, The Longest Time, This Night, Just The Way You Are, Scenes From An Italian Restaurant, Sometimes A Fantasy, It’s Still Rock And Roll To Me, Uptown Girl, Big Shot, Tell Her About It, You May Be Right, Only The Good Die Young. The band includes Frank Simms, Peter Huwlett on backing vocals, a three-piece brass section of Larry Etkin, Bob Livingood, Glenn Stulpin and Toots Thielemans on harmonica as well as Joel's touring/recording band of Liberty DeVitto (drums, percussion), Doug Stegmeyer (bass), Russell Javors (rhythm guitar), David LeBolt (keyboards), David Brown (lead guitar) and Mark Rivera (saxophones, percussion)
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
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