This famous satire contrasts conservative Bengali culture with that of the colonial elite. It is the story of a young Indian who returns to his native land after a long absence. He is so mightily impressed with his foreign training that, at his parental home, he startles everybody with his quixotic notions of love and matrimony.
This is not a slavery story, it is a freedom story. The viewers only see Harriet as a slave for the first few minutes of the film. To me, it felt like watching the origin story of a superhero…which is both good and bad.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
This inspiring true story falls nothing short of filling the audience with a passion to strive for their wildest dreams.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Christopher Nolan transforms Homer's ancient epic into one of the most breathtaking cinematic spectacles of his career. While its nonlinear storytelling and exposition occasionally hold it back, The Odyssey is a visually stunning, emotionally resonant blockbuster that demands to be seen on the biggest screen possible.
