Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Set in the fast paced materialistic world of the late 1980's the film depicts a destructive love triangle. The young, ruthless characters play out a hard-edged drama of life, love and greed.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Bollywood's thrilling fusion of what the blind man saw and the boy who cried wolf.
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Never Have I Ever season 3 is charming and hilarious as it has been in past seasons and still sports a diverse ensemble cast. However, the show doesn’t always treat its marginalized characters that well.
'Rag Tag' encompasses the diversity within the African Diaspora by showing London Nigerian men learning to regulate their emotions while navigating love and societal pressures.