Time To Get Critical About Representation in “Shameless”
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

Sam Gifford remembers : In prewar years he was an arrogant southern cotton plantation owner, married to the daughter of a colonel. At the beginning of the war he was mobilized with his National Guard unit as a sergeant. Came the day when, revolted by the cowardice of his lieutenant, who had fired at his own men, he hit him. Downgraded, he was sent to a disciplinary battalion. Sam now discovers his new detachment, his new commanding officer, just another cowardly brute, Captain Waco Grimes. While in combat, Sam will gradually become closer to the privates, working-class people he used to despise. He will become another man, a better man.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
The sparks of a dangerous conspiracy ignite a mystery in this sequel based on the mysteries of Sherlock Holmes.